Dance Sequences of the Kolam Plays
Dance Sequences of the Kolam Plays
The play usually begins at about nine o'clock at night and lasts till
dawn. A special drum part is played by two Low-country drummers in
order to notify the impending commencement of the performance to the
villagers. This is similar to the kelikothtu, a special drum part that
is played before the start of the traditional dance drama in Kera called
Kathakali.
The
subevidane, in other words, the narrator, enters the arena along with
the singers, dancers and drummers. Usually, two drummers and a horana
player provide the music for some of the songs sung by the narrator and
his chorus. Each time the narrator sings a line of verse, the chorus
repeats it. These invocatory stanzas written in highly sanskritised
diction are sung so as to pay homage to the Buddha, Dhamma, Sanga ( the
triple gem) and the gods. Next, the narrator describes how Kolam drama
first originated.
With regard to the origin of the play, the conventional derivation of
the art is traced to an ancient myth. The story is that King
Mahasammatha's wife, once she became pregnant, had a longing to see a
mask dance. Just as women may have various types of cravings while they
are with child (which in Sinhala is called dola dukha) the queen's
desire was one that had to be met. Despite not having this kind of dance
form in his kingdom, the king commanded his ministers to organize such a
performance. While the ministers were trying desperately to find some
way of staging such a show, God Sakra intervened and with his
supernatural powers he made masks appear from out of nowhere. Masked
dancers followed and the queen's dola dukha was finally satiated.
Subsequent to the narration of this tale, two unmasked Sabapathi
characters enter the scene. This is similar to the prologue found in
modern plays. They sing an invocation to Lord Buddha and the gods and
also welcome the patron of the show. Afterwards, there is a dialogue
between Kariyakarawanarala (the narrator) and the sabapathi with regard
to the rest of the proceedings of the show. The Kolam play officially
begins after the departure of these characters.
The first group of characters to come on stage is police constables.
This scene is known as the Police Kolama and it is performed by five
players (as policeman including an Inspector Sergeant) They take
necessary action to protect the place and exit. Next appears the Vidane
Arachchi (village headman) followed by his attendant who holds a big
palm leaf over his head. Vidane Arachchi gives orders to his attendant
to count the number of people gathered in the audience and to note it
down on an ola leaf.
The next scene is the Andabera Kolam, the item of the village crier,
Pannikkala. He plays the role of a drunkard who announces the impending
arrival of the king and the queen to the audience. The narrator sings
the following verses to introduce Pannikkala :
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